A Little Too Little Too Late – DANIEL ISN’T REAL (2019)

Movies like Daniel Isn’t Real (2019) are great examples of why I love the horror genre; they truly are a safe space to express our darkest wants and needs as individuals, a window into the depths of our ugly side as humans, a mirror forcing us to see what we don’t want to see so we can reflect, if we so choose to, with quiet humbleness. Horror movies are not only cautionary tales, but learning opportunities if enough attention is paid to their message. Movie making is quite literally an art, not only visually, but as a larger-than-life representation of humanity, of what we love, hate, fear, aspire to, dream of, wish for, and, put simply, of all the things that make us give a damn. Horror is the best.

Hello, horror friend, it is nice having you here, thank you for stopping by. Hey, real quick and just between you and me, the above short clip of the house party scene was the one that moved me the most, I don’t know what to say about it other that it made me see Luke for who he really was, a powerless victim who was also his own abuser and protector, paradoxically rejecting and defending himself from himself. But I am getting ahead of myself, let’s start from the beginning.

**SPOILERS AHEAD**

Luke was the only child of an affluent couple who was going through a tumultuous divorce, you see, the mom, Claire, had a type-A personality and also suffered from schizophrenia, the dad, well, we did not know anything about him other that he had had enough of the mom’s moods, so divorce it was. Luke, on this particular day, decided to let his parents fight in peace so he went out to the street to distract himself, unfortunately, one of the places that caught his attention was a barricaded crime scene where a crazed shooter had taken several innocent lives at the local coffee shop; the crime scene was so recent that sheets had not even been placed yet on top of the corpses which, of course, must have been awfully traumatic for any six-year old, and, luckily for this six-year old, a new friend pretty much materialized at that exact same moment to keep him company. Daniel.

Daniel and Luke were inseparable and played and learned together, that was until one day Daniel got jealous of the motherly love Luke was receiving from Claire so Daniel, showing his true nature, tricked little Luke into poisoning her. Claire survived the attack and when she confronted Luke about it, she was told it was Daniel, not him, who had done it, so Claire explained to Luke how bad and dangerous it all had been and asked him to “lock” Daniel inside grandma’s old dollhouse. And so he did.

Twelve years passed and Luke was now a freshman in college, on his way to becoming a Lawyer to maintain family tradition. Luke had been artistic and with a great imagination in his early years, but now his life lacked the joy, the color, the excitement from his true nature. He did not have friends either, or a girlfriend, just mom.

Claire’s schizophrenia seemed to not be managed well, so when Luke went to visit her during a short school break, he had to play the role of the parent toward her: keeping her company, listening to her, feeding her, showing her love and compassion, all while still trying to be a regular young adult who goes to parties and drinks and sleeps around. But Luke was failing at being a regular young adult, you see, he fainted to the floor when dealing with high levels of stress, and talking to attractive women was stressful to him, so he decided to seek treatment in therapy for it.

Therapy made him feel better, but while talking about his social circle of friends, or lack thereof, he remembered the imaginary friend he used to have as a child and goodness gracious, he must have realized how toxic Daniel had been at the end that he did not even mention the fact that he tried to kill his mom because of him. Luke ended that particular session with the heavy, dark secret fresh on his mind and decided to pay his mom another visit. That night, Claire had a horrible episode where she tried to kill herself and Luke was there to witness it, but it was all too much. School. His personal life. His home life. He was alone. No one was there to help him cope with it…

Daniel, adult Daniel, was everything Luke wasn’t. Tall, dark, handsome, well-dressed, confident, brave, self-assured, and, most importantly, skilled at providing words of advice to Luke, scratch that, skilled at commanding Luke of exactly what to say and do to overcome any and all challenging situations. A mom trying to kill herself? Check. A difficult school test? Check. A gorgeous girl at a party? Check and check.

Nevertheless, exactly as before, Daniel started getting jealous of the female attention Luke was receiving thanks to his help, so much so that they started feeling negatively toward each other and, once again, Daniel tricked Luke but now into letting him borrow his body so he did not “cheat” on the artist girl he just started seeing.

This did not go well at all. Luke wanted out. Daniel had to go.

Luke remembered there was a copy of the old newspaper detailing the coffee shop shooting, so he got it and looked for the name of any person who might have known the shooter. Why? Maybe because he associated the fact that Daniel arrived into his life at the exact same moment when he saw in front of him, right there and then, the corpse of the shooter… (*side note, this is why horror can deal with difficult topics so brilliantly and easily, it does not have to give you a logical explanation to make sense as you already know that monsters signify bad human behavior, and that evil signifies illness*)… and since he perhaps saw himself now as the evil monster, just like the shooter, maybe those who knew the shooter could guide him into understanding what he did and saw before losing it, all in hopes to prevent him from losing it too.

And he does, Luke actually finds the home of the father of the shooter and, yes, it was confirmed that the shooter also “dealt with” Daniel before “going crazy” all those years back… (*another side note, did you know that the average age of schizophrenia onset tends to be in the late teens to the early 20s in men? And that even though it may result in hallucinations and delusions, among other things, it may be controlled with lifelong medical treatment? Schizophrenia is a serious, debilitating mental illness, but it does not mean life is over for the sufferer, or that the affliction has a free pass in films and entertainment – schizophrenia should definitely not be used in horror movies as a metaphor for evil and danger*)… right, so the father gets scared of Luke and calls the cops discreetly so as to not agitate him, but it is too late, Luke knows his fate is sealed, he just got the confirmation he was hoping not to get.

What happens next in the movie is a unique visual exploration of what it would look like to have your mental illness come to life, of it eating you, taking over, all while you are pushed aside into the depths of your own loneliness, of your own abyss.

The movie had a sad, gory ending, but it was a good one. Luke died fighting for himself and that’s what truly mattered to him, given the unfair and precarious circumstances he was in; had he been emotionally supported by his dad, had his mom been taken promptly to the psychiatric hospital, had he been more honest with his own therapist about his childhood demons, had he taken his meds sooner and more consistently, had he given up Law and study instead something that made him happy, had he had real friends and a loving girlfriend, then, and only then, his life would have had a better outcome thanks to the pillars of life needed for resilience. (And that, my dear horror friend, was the movie’s message, hope we all took notes ;)

In Love and Fear,

—Marath

© 2016-2024

Ten 2010’s to Stream Right Now

Hola, hi (and happy Halloween). Hope you are doing well and keeping busy. Me? Well, it’s been a good month full of horror and whatnot, and, actually, I cannot remember the last time I binge-watched so many new horror movies (new to me, that is) from the sixties, seventies, and beyond.

Over the years, as a self-proclaimed horror aficionado, I have accumulated a sizable horror dvd collection of movies I love and enjoy rewatching, and also of movies I knew were must-haves even if I had never watched them myself. So, not sure what possessed me to do it in such a short period of time, but I somehow managed to finally watch all the never-before-seen rare pieces in my collection, that is, with the exception of the items belonging to the Asian Horror section because I have a life and those pending films (20+ and counting) will have to wait until I am done giving my brain a break. So much horror, so much.

Right, but did I only watch my dvd’s? No, I did not, I also had the audacity of watching a few other movies from my queues, plural. (Sidenote: This viewing exercise revealed to me that I do not really use Netflix, Hulu, or HBOMax for horror movies and that I should strongly contemplate cancelling my monthly subscription with each one of them.) Shudder and Prime proved their value and offered great horror choices but, come on, the winner of them all was Tubi which happens to be FREE!! I will proudly say it again, Tubi defeated all my paid streaming services and gave me all the odd and obscure horror films I never knew I wanted. Hurray!

While tallying up the hours invested last month in this horror hobby of mine, I realized I gave preference to movies from the 2010’s when it came strictly to streaming, so, I said to myself, heck, just for fun, why don’t I put together the top-ten list of movies I recently watched and that can be streamed—most of them for free—by other horror enthusiast who also appreciate weird and gory movies from the previous decade? And so I did, and so here we are.

Without further ado, here’s my top-ten list—in alphabetical order, each with my personal opinion, and with a direct link to the corresponding streaming service—of movies I watched over the past weeks, all highly recommended, all 2010’s, and all streamable at the time of this blog post.

American Guinea Pig: Sacrifice (2017), Tubi

Guinea Pig was an 1980’s Japanese horror film series focused on depictions of torture, mutilation, murder, etc. and was considered controversial for its time due to its violent nature. Fast forward to the 2010’s when the American version of the series got produced. Did I think 'Sacrifice' was controversial? No, not really, but it was gory as hell and had several what-am-I-watching moments, all well worth the 1h3m running time. Short and sweet? Yes, please.

Atroz aka Atrocious (2015), Tubi

Hands down one of the most extreme movies I’ve ever watched. Forget France’s Martyrs, forget Germany’s Nekromantik, forget Serbia’s A Serbian Film, forget Italy’s Cannibal Holocaust, here comes Mexico with Atroz and all its graphic violence, hate crimes, and paraphilias. Beware of the found-footage style scenes, you might need to remind yourself they are not real, just the product of a very skilled, very detail-oriented production team. (It’s not real. It’s not real. It’s not real…)

Be My Cat: A Film for Anne (2015), Tubi

I had heard great things about this Romanian movie, so, even though the storyline did not sound completely interesting to me, I decided to give it a go due to it being shot in found-footage style (one of my favorite horror subgenres), and also due to its unique filmmaking methods which warranted a handful of film festival nominations and wins for Writer/Director/Star Adrian Tofei. If you are looking for a strange horror movie to watch tonight, this no-budget film is for you.

Belzebuth (2017), Shudder

I loved (loved!) this Mexican movie and believe it is a must-watch for those of us who enjoy a good exorcism story. The film follows a hardened detective who joins forces with an American priest/Paranormal Forensic Specialist in finding the culprit behind the unexplained and sudden infant and child mass murders in the area. This is a serious horror film with a couple of lighthearted moments which allow us to unclench our jaw and relax our body, after all, it is a Mexican movie and we have to have Mexicanisms, que no?

Chain Letter (2010), Tubi

This one felt like cheating because, even though the movie came out in 2010, it fully gave that unmistakable mid-2000’s vibe which was distracting at times. Old technology, music, and fashion aside, this slasher had some really gruesome kills that made me squirm on my seat which says a lot about the film.

Gokseong aka The Wailing (2016), Prime

A coworker recommended this one to me and he was right, this movie was incredible, okay, maybe a little too long for my liking, but other than that I had zero complains for this bleak, tragic, ghost story from South Korea.

Homewrecker (2019), TUBI

Probably the tamest movie from this list, but definitely the one with the biggest payoff. The story follows two women, one married, one single, both attached to the same man; one younger, one older, both equally lost and lonely; one meek and agreeable, one loud and with a plan, both in mortal danger. I hate how real this movie felt, there was nothing fun about its familiarity. After everything was said and done, I was left unsettled but secretly wanting more.

Honeymoon (2014), TUBI

It is hard to say anything about his movie without spoiling it, so, let’s do the following: I will stay here while you click on that Prime link and if you love the first 10 minutes, well, you’ll love the last 10 a hundred times more.

The Legend of Wasco (2015), Tubi

Killer clowns are not only from outer space, they are from the lake in the woods, too. This low-budget slasher felt at times like a horror comedy thanks to the goofy husband, Tyler, whom I immediately felt annoyed by, although, goshdarnit, by the end of the saga became my favorite character of them all. Huge props to the terrifying clown trio for actually being, well, terrifying.

Yummy (2019), Shudder

This movie from Belgium was the biggest surprise out of the entire list since, with the exception of the title and the poster, I had no real knowledge about it. Was it about zombies? Sure. Was it about the struggle between a woman and her body image, of how she cannot exist in peace with her naturally large breast without men gawking at her, harassing her wherever she went, thus deciding to get a breast reduction at a sketchy facility, possibly jeopardizing her life in exchange for the promise of a new one, all while in the middle of a zombie outbreak? Uhh… what the what!?

That is it for me, my dear horror friend, hope you found this list worthy of your time and that you bookmarked a few link recommendations for your viewing pleasure. Enjoy your evening, talk to you soon.

In Love and Fear,

—Marath

© 2016-2023

Family Values - FOUND (2012)

Some horror fans plainly describe Found (2012) as a coming-of-age movie where a 12-year-old boy finds that his older brother is a serial killer, however, I will forever object to that oversimplification. Let’s begin.

“My brother keeps a human head in his closet. Every few days it’s a new head. Usually, they are black women, but one time he had a white man’s head in there.” -Marty

Marty’s introduction to us was presented in voice-over form, in an eerily intimate tone, yet, in a calm and matter-of-fact manner. Yes, he might have been young but he seemed levelheaded for his age and, also yes, he might have known for a while about his brother’s crimes but he was clearly more concerned with not getting caught for going through his stuff without his permission, than by the fact that he was not reporting to the authorities the horrors of the murders. Marty might have been a perceptive and complicated boy, but he was still a curious one, mystified by his older brother, by his dark secrets, by his perverse power.

The older brother, Steve, flunked out of school but was allowed to stay home if he got a job and paid rent. Although the deal appeared straight-forward, things were not easy at home and arguments were the norm; from Steve’s isolating behavior being perceived as threatening, to his dad’s disapproving of his so called “menial” job at the factory. One way or the other, Steve seemed not to be fully welcomed there, even when he did what he was told and followed his parents house rules.

Both siblings had in common their love for horror movies and it was thanks to this shared passion they were able to maintain a somewhat normal relationship, even if it was a morbid one. The thing they did not have in common? Their attitude toward violence, you see, Marty was bullied at school and did not stand up for himself so, when he told Steve about it, he was instructed to fight back and not allow to be a victim, to what Marty confessed he was afraid of hitting back as the other kid was unfairly bigger than him and had no way of winning. Steve, somewhat frustrated, but clearly resigned about his little brother’s conundrum, reassured him not to worry about it anymore, as in, ever…

… and Marty’s suspicion—not fear, not panic, not regret for potentially having used his homicidal brother as a weapon against his bully, but indeed a suspicion—was soon proven to be correct. The evidence? His bully’s severed head inside Steve’s bowling ball bag. The unspoken agreement was done. Problem solved.

But was Marty really done with trouble? Was his quiet and shy disposition the perfect target for those unsavory characters surrounding him in his day-to-day life? From school, to church, to home? Was Marty ready to accept the fact that he had to, or rather, that he must stand up for himself just as Steve told him to repeatedly? There was only one way to find out, but in the meantime, he slowly tested his limits by sharing a glimpse of his macabre reality with his best friend, David.

And, suddenly, it happened. Marty fought back when provoked, spoke up when disrespected, shouted at when infuriated. But still being the kid that he was, his parents made sure to demand he behaved like the usual good little old Marty they trusted and loved. Marty did not appreciate that, and neither did Steve.

Steve, now kicked out by his parents for defending Marty’s recent violent misbehavior, had one more grievance to deal with them before leaving for good.

When Steve returned home in the middle of the night for the last time to square things off, he asked Marty for a favor: to stay out of his bedroom, Marty’s bedroom, that is, as he needed his bed for being the sturdier of the two. Marty at the beginning could not follow Steve’s request and was defiant, until he realized with shock and horror what Steve was planning to do so he threatened him with calling the police if he did not leave immediately. But Steve did not leave. And the parents were woken up by the commotion. And with that, their fate was prematurely sealed.

What happened next was the most vile, most disgusting turn of events for the parents. (Sidenote: Never had I ever felt so violated as a horror movie viewer. I had zero idea my sensitivities as a woman would be put to test with this film.) A mother being raped by her son, begging him to stop while he shouts in ecstasy that he loves it. A father being tied up on the other room, yelling that if he as much as lays a finger on his mother he would kill him. A son enjoying the very moment he allows his father to see with his own eyes what he did to his wife.

CUT TO:

The aftermath. The following day. Dawn. A still naked Steve, all covered in blood, barefoot, walking out of the home, unaware and unbothered, gone.

The home. The upstairs bedroom. Marty tied up on the bed, his dead parents’ blood splattered on his face and body, talking to himself in silence, calm and unbothered, gone.

“I look at mom and I look at dad, and they scream at me with their empty eyes. My mind wants to scream and kick and freak out, but I keep myself under control. If I lose it now, I might not come back for a long, long time. Stuff like this can really warp a person.” -Marty

10/10 do recommend for those of us with thick skin.

Now streaming on Tubi.

In Love and Fear,

—Marath

© 2016-2023